Jarmila Štogrová

* 1956

  • "First of all, the problems at the faculty started with my signing the Charter, and secondly, it was decided in 1979, I think, that we would take a state exam on Marxism-Leninism. And when my classmates and I looked at the syllabus of what we were going to learn in philosophy, and there was basically nothing - there was one semester of ancient philosophy and then all Marx-Leninist philosophy, I thought, 'Well, not really this.' And by that time I was so deeply immersed in the underground that I thought, 'Well, I'm leaving the school.' One of my colleagues got invited on the carpet and immediately got fired for being a chartist and hanging out with somebody. So I was like, "I'm going to do it too, so I'm going."

  • "It was difficult, for example, because in 1980 I was pregnant with our Jakub, and spent the whole afternoon until night at an interrogation... it wasn’t pleasant. It wasn’t pleasant, but it wasn’t such that someone physically hurt me, that’s how I would put it. It was, of course, mentally exhausting. I never actually gathered the courage to do what Jiří Gruntorád did—remain silent. I felt like I could say something, that I knew what I could say—I had it written in that manual, you know. But I don’t know, I probably wouldn’t have been able to hold out. And when I talked about it with friends, they also said that it’s really hard not to say anything. You always think that you can say something. For example, with Pavel Myslín, we mutually agreed that if someone asked us and we couldn’t remain silent, we would point to each other and say we went to the Němec family’s place. Because they knew, they photographed us, and checked us, and we couldn’t avoid that."

  • "[...] because an intellectual group that wrote samizdat had already begun to form there [at Brdy], not only the then magazine Dým (Smoke), which was produced by Houla - Standa Zárybnický from Zdice, but also collections of poems were left there. I think that the State Security became very unhappy with this growing undergrowth. Because the scouting or tramp romance of the 1930s was still fading, but just because the scouts and woodcrafters were getting into it, the environment started to change. And then in 1978 or 1979, when there were also sanctions against the tramps - they were pulled off the train, they were waiting for them on the train, there were all kinds of persecutions, perlustrations, unpacking of backpacks, dispersing potlachs and so on - I wrote a kind of samizdat handbook then, I called it Tramps and the Laws. There were three parts to it, and it was based on the Forest Act, but it was also based on the Helsinki Peace Treaty of 1975 - that is, on human rights, then on how one should behave in interrogation, what one must say, what one must not say, and so on. So I put a lot of these legal things together."

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A man is not free by doing things he wants to do, but by not doing things he doesn‘t want to do

Jarmila Štogrová Doležalová in 2022
Jarmila Štogrová Doležalová in 2022
zdroj: Post Bellum

Jarmila Štogrová (Doležalová), born on 13 January 1956, has been an artist from an early age thanks to her talent and the influence of her father, painter and graphic artist František Doležal. After graduating from the art class of the Gymnasium Na Pražačce, she studied art history and Italian as an external student; however, she did not finish the school because of her disapproving attitude towards the regime of the time. Her tramp activities and the signing of Charter 77 opened the door to the Czech samizdat, among other things, and she studied philosophy and parallel Bohemian studies at residential seminars. After the revolution in 1989, she continued her activities mainly as a curator, organizer of various cultural events and librarian. Since her father‘s death in 1989, she has been preserving his work, organizing exhibitions and writing monographs on František Doležal. In her work, she has focused mainly on drawing, pastel and objects made from found shards. Her name is associated with the group Regula Pragensis, the (original) Unijazz and the magazine Opportunity. In 2024 she concentrated mainly on the Nautilus publishing house, which she and her husband Josef Štogr have been running independently since 2022.