Mgr. Radomír Kos

* 1948

  • "With the advent of normalisation, broadcasting was normalised. Immediately censorship and so on. Because then - and it still is today - news, newscasts and so on were broadcast live. There if someone said anything, it's out there and it can't be undone. That's why on all these broadcasts there was always a gentleman who didn't even introduce himself, just sat there aside and had the right of veto. The minute he didn't like something, he'd push the button and the broadcast would end."

  • "It was the international world championships, so I was in the cabin that I had built within that gym. There were two gentlemen there with me. One was standing behind me on the left, the other behind me on the right. And they were watching everything that was going to go on the air, because it was a live broadcast, of course, and so on. This was in August, it was a year after, after the invasion. So people reacted accordingly, too, as an audience, spectators. I was ordered that the moment there was something inappropriate in that sound modulation, starting with the whistling and I don't know what, I had to replace it immediately with something else. So there were two tape recorders on which the applause was recorded, and the moment it looked like the audience was going to start acting negatively according to these gentlemen, I had to pull down the noise mics. There was only the commentator's microphone left, and then I replaced those audience reactions from the tape recorders by playing in the satisfied applause."

  • "They camouflaged the sign - we were broadcasting from the Typos building, where we had studios - so they camouflaged the sign that said Czechoslovak Television Brno. And the interesting thing was that the Russians, who were driving around all the time in GAZ cars and OT vehickles - that's an armoured personnel carrier - couldn't find it. They found the radio station, Czechoslovak Radio, around the corner on Beethoven Street, but they couldn't find Typos as a studio. They kept missing it, so we were broadcasting, broadcasting, broadcasting. It wasn't until about sixteen o'clock that a transporter stopped right by Typos, by that passage. And then we found out that it was... This transporter, it stopped there because it was driven by a Czech, a collaborator, who was simply collaborating with the Russians."

  • Celé nahrávky
  • 1

    Brno, 25.10.2024

    (audio)
    délka: 02:49:23
    nahrávka pořízena v rámci projektu Příběhy regionu - JMK REG ED
  • 2

    Brno, 11.11.2024

    (audio)
    délka: 01:38:45
    nahrávka pořízena v rámci projektu Příběhy regionu - JMK REG ED
Celé nahrávky jsou k dispozici pouze pro přihlášené uživatele.

Prague was already silent, but Brno continued broadcasting

Secondary school graduation photo, 1969
Secondary school graduation photo, 1969
zdroj: witness´s archive

Radomir Kos was born on 10 August 1948 to parents Jarmila and Jaroslav Kos in Calcutta, India, where his father worked as a manager at the Baťa factory. In 1951 the family came to the then communist Czechoslovakia to visit his grandmother. State Security confiscated their passports at the airport and would not let them return. Radomír Kos graduated from the electrical engineering school in the 1960s and from the age of 14 he worked as a temporary worker in the newly founded Brno studio of Czechoslovak Television as a camera and later sound assistant. In the turbulent days after 21 August 1968, he filmed reports as sound master until the broadcast from the secret studios was stopped after about ten days on orders from above. He remained in Brno television for his entire professional life. In 1985 he graduated from the Film and Television Faculty of the Academy of Performing Arts in Prague (FAMU), majoring in Film and Television Sound Production. He worked as a sound engineer for 34 years, and in 2003 he was briefly director of the Brno Television Studio. The following year he became head of technical departments, a year later head of production and since 2010 he has worked as head of picture and sound production. In 2013, he moved to the position of Head of Technology, where he worked until his retirement in 2017. Since 2001, he has been an external teacher at the Janáček Academy of Performing Arts (JAMU). In 2024, Radomír Kos was living in Brno.