Vít Kremlička

* 1962

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  • "I think it was in my second year when I got caught in the clutches of State Security. They spent about half a year trying to pressure me into cooperating, but I refused and kept refusing. The thing was, it was quite mentally and emotionally exhausting because it was such a hassle—they would call our house or come by. I didn’t talk about it much, and I think it kind of pushed me out of the class community a bit, putting me in a sort of outsider position."

  • "And then there was... and it was hell, really. In art education in painting, it was the standardized painting of these kind of factories. Every time there was one of these Revolutions or February, that Victory February, as they used to say, we were supposed to paint factories and red stars and tractors. But those factories, that was totally the archetype of the factory, that it would have a chimney and then these slanted windows, these roofs of these workshops. They're so jagged. And everybody had to have that, everybody had to paint these factories and it was horrible, it was like a bad dream."

  • "Back then, kindergarten started in August, and this was right after the occupation. It must have been either August or September, and helicopters were flying overhead, dropping leaflets—the so-called 'Reports.' I only looked it up later. These helicopters were flying over Prague, and it was essentially some sort of collaborationist message. It featured names like Indra, Jakeš, Kolben - or whatever his name was- Kolder, this clique of collaborators."

  • "I rebelled and said that I would not take Marxism, and I wrote to the dean, who was a certain associate professor Jaroš, a hardened Stalinist, that they should go to the cemetery with Marxism and not expect me to pass exams on it. The next day I came to the faculty, he caught me, told me to go with him, that he would slap me, and then to get out and not come back."

  • "I went into the apartment, they took my ID and told me to go into the kitchen. And now I see that in all those rooms, it was quite a big apartment, Ječná, four or five rooms, they're rolling up the carpets and putting books and folders everywhere, they're sorting everything out, moving furniture. The place where there were all those sit-downs, chats, parties, get-togethers, now some strange men are ravaging it."

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Say No to the Devil

Vít Kremlička, 1984
Vít Kremlička, 1984
zdroj: archive of a witness

Vít Kremlička was born on 22 October 1962 in Prague into the family of Ladislav and Marta Kremlička. He grew up in an environment that was very anti-communist in its foundation - part of his mother‘s side of the family experienced persecution during the collectivization of agriculture. Vitek‘s father lost his job when he agreed to the outbreak of the Hungarian anti-Soviet uprising in 1956. Already in elementary school, Vít accepted the idea that he did not want to belong to official pro-regime youth organizations such as Jiskry and Pionýr. During his gymnasium studies he found his way to the artistic underground. He participated in illegal housing seminars, theatres and literary and musical events, where he himself performed as a writer of bound poetry. He was also a frequent guest at the apartment of Dana and Jiří Němec in Ječná Street in Prague, where the underground community met and where he was first arrested and interrogated. At the age of sixteen, he found himself in the crosshairs of the State Security, which tried, unsuccessfully of course, to establish secret cooperation with him. In order to avoid basic military service, Vít spent nearly five years in psychiatric hospitals. He did not graduate from university during the normalisation period - because of his negative comments on the compulsory graduate entry to the military department, the dean of the faculty expelled him from hour to hour. Vít then continued his cultural and linguistic activities with music - as a trumpet player and singer he appeared in the underground band Národní třída, and later founded his own project, the band His Boys. During 1989, he signed the petition Several Sentences and participated in the August demonstrations in Prague. When the Velvet Revolution broke out in November of that year, he was at the birth and running of Informační servis. In the years after the revolution, he published several collections of poetry, prose and essays translated from Polish, English and Bulgarian. He has won several literary awards, including the Jiří Orten Prize and the Revolver Revue Prize.